The oscillators, filters and envelopes closely mod-
el components found in some of the great monophoni-
c and polyphonic synthesizers of yesteryear. Modul-
es can be mixed and matched so you can build hybri-
ds, but what sets DIVA apart is the sheer authenti-
city of the analogue sound. This comes at the cost-
of quite a high CPU-hit, but we think it was wort-
h it: Diva is the first native software synth that-
applies methods from industrial circuit simulator-
s (e.g. PSpice) in realtime. The behaviour of zero-
-delay-feedback filters when pushed to the limit c-
learly demonstrates the advantages of this groundb-
reaking approach. Zebra is our wireless modular sy-
nthesizer. It combines many different types of syn-
thesis with a powerful modulation engine. Imagine -
– you can create any additive, freehand or spline--
based waveform you like, apply a vast selection of-
spectral effects, morph between those waves and s-
end them through classic synth filters. Perhaps us-
e that entire sound as modulator for an FM oscilla-
tor, or route it through a comb filter – the build-
ing block of physical modeling synthesis. All gene-
rator modules, all signal paths, all effects are s-
tereo